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Forums / Female Performer Chat

Poetry (original.or.attributed)
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Female Performer Chat: Poetry (original.or.attributed)
Created by: ophelias_rue

7/26/11 @ 5:22pm (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

modus operandi

If I hadn’t hitched to get here
Had come in lovely things
Had showed up on your doorstep
In gold, and silk, and rings.

If I hadn’t just sat on the curb
And waited at Starbucks
If I’d not presented at that time
Would we have had some luck?

If you'd not have beem so surprised
If I’d left a note and said
Let’s get together later today
Let’s have some wine and bread.

Perhaps it wouldn’t have been so raw
Perhaps it could have been nice
Perhaps my shyness could have won
And melted some of the ice.

If only there had been some time
Before you’d had to run
Perhaps you’d not have fled the crime
Perhaps love might have won.

© Amanda 2011
Quote
Created by: ophelias_rue

7/27/11 @ 4:26pm (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

three poems of loss in less than 24 hours


Inbox

I know that Heavy Red loves me,
and Apple Computer, Amazon, Flirt 4 Free;
Disney World, Bloomingdale's, Anthropologie,
Verizon Wireless, Cat's Pajamas, and Xfinity.

They remember my name and they write to me.
Every day they let me know, they adore my company.
They send me Happy Birthday cards for free,
even though i spend that day in misery.

I get offers for affection, love, and intimacy,
from people on the planet who believe
that i am sorely in need
of erectile help, and that i stand when i pee.

So do not worry, what is to become of me,
I've all my friends at Dell to say hello,
cheer me up, tell me things i sure must need
and send me coupons for a new High Def TV.

I'll miss you so, you know that's true; and
if i cry, when quite surprised, by seeing eyes,
so blue and clear on some show,
just a click, and someone else, is mailing me.


© Amanda 2011

Quote
Adryenne
Created by: Adryenne

7/27/11 @ 9:42pm (EDT) | UTC - 4:00

“There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together”

Henry Wadsworth Longfellow
Quote
dudley_do_ride
Created by: dudley_do_ride

7/28/11 @ 6:34am (EDT) | UTC - 4:00
Location: hain't Pochipsie son
Posts: 3,294

Man: Ahhhhh I am glad you are here. We've got to do something... and fast!

Cat: So you noticed it too eh?

Man: It is soooooooooooo obvious. We are being set up. We've got to seize the initiative.

Cat: Yeeeeeaaaaaah. The initiative.

Man: sssssssshhhhhhhhhhh quiet!

Love: What's going on guys? Having a midnight snack? Guys? Guys? Why are you looking at me like that? You are starting to... Don't come any nearer. Back! Back! AIIIIIIIIIIIEEEEEEEEEEEEEEEEEEEEEEGGGGGGGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHH!!!!
Quote
dudley_do_ride
Created by: dudley_do_ride

7/28/11 @ 6:45am (EDT) | UTC - 4:00
Location: hain't Pochipsie son
Posts: 3,294

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow--
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

-A dream within a dream by Edgar Allan Poe



Yeeeeeeeees my child....

There is nothing like Poe-etry.

ahhhhhh hehhhh. ahhhh hehhhh ha haaaaawwww.



Quote
Created by: ophelias_rue

7/29/11 @ 2:01am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122




Yeeeeeeeees my child....

There is nothing like Poe-etry.

ahhhhhh hehhhh. ahhhh hehhhh ha haaaaawwww.





really? ohhhhh *sigh*
Quote
Created by: ophelias_rue

7/29/11 @ 2:04am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

Love: What's going on guys? Having a midnight snack? Guys? Guys? Why are you looking at me like that? You are starting to... Don't come any nearer. Back! Back! AIIIIIIIIIIIEEEEEEEEEEEEEEEEEEEEEEGGGGGGGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHH!!!!



*ro fl* hahahaha.. *snicker* HA!!!
Quote
Created by: ophelias_rue

7/29/11 @ 3:54am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

……………….………………………… 3. Not Life …………………………………………

Awake



If thou openest not the gate to let me enter,
I will break the door, I will wrench the lock,
I will smash the door-posts, I will force the doors.
I will bring up the dead to eat the living.
And the dead will outnumber the living.
Myth of Ishtar [Wikipedia.org/Ishtar]

With no tether and set to roam
Always hunger with no home
Unloved, fertile, lifeless, alone
Wading with memory.
The Amazons, © Amanda 2011


Above the tended sod with each and every sprig perfect green and moving to point skyward, a vertical that only growing plants can achieve because of the departure of light for some longer length of time than a woman’s sigh, the long distorted shadows are fading like memories of short-lived loves. Soft Night is roaring across this curve of sphere, its deepest line only seconds away. Aellô’s eyes are open, and she gasps in recovery from the dream that Anat has been guiding her through; the horrible recurring dream that she trembled day after day with. Aellô slowly detaches herself from Anat’s loving vicious grasp and moves quietly through the dark of the pipe tunnel into the pump room for the large swimming pool above. Behind her she hears her lover groan softly to herself as she dreams the last few moments of dusk away.

‘Anat watched, again in the shock that so recently had been replaced by the excitement of her new dependence on Aellô; it was a sudden, deep, cold, under the water and no breath left, shock. Aellô had become hard and ice-like; her blue eyes the color of a winter’s sky, cloudless and as edged as a steel blade. One moment she was tender and enveloping Anat with such freed love and anguish, holding her and crying over her and loving her in a manner and with such strength that Anat thought she might crumble in the joy and warmth it brought; the next, Aellô was gone and in her place was a being of terrible wrath. Anat shuddered and began to shiver from the impact of what her own tearing; deep-water blue eyes were showing her. Aellô was, impossibly, above one of the three men; his face canted upward in a wide mouthed howl of terror as his knife wielding hand is torn from its arm by Aellô’s grasping foot; and blood is spraying in the lamp light, and across a wall as Aellô has leapt upon the second man; like a cross between some circus ape and a large forest wild cat she is hairless and naked and has such long, long fingers wrapped around his head; and her mouth is wide and opening too wide and then she is full on him, looking like a very large hairless kitten with its mouth on his shoulder; and suddenly he is white faced and his eyes are rolling back in his face; and Aellô is sitting on his chest staring back at the first man who is slumped, sitting on the floor his legs out wide, staring at his handless arm that has blood flowing slowly, in soft pulse moves, from the wrist, which is torn meat and ragged clotted fabric. The third man is clawing at the wall in the corner, blocked from his escape by Aellô and by the bench Anat sits on. He turns with a look of hatred and his eyes are small and black; and his unshaven face, a tufted sparce beard, and yellow teeth clamped together as if he had some horrible piece of food in his mouth he wanted to keep. And in the rocking, shifting, lamp light things are moving in jerks and stops and starts. The old woman cook with knife held high, her mouth in a rictus with huge black gaps and rotted teeth is moving in stops and starts across the floor. The light shifts and the third man is crouched low and his knife is out and he is moving at Anat. The light shifts and Aellô is holding the second man in her hands and he opens in the middle and what is in him is falling out like a sack emptying pieces of meat and blood. The light shifts and Aellô it in the air, frozen with her far too long fingers spread wide and they have sharp claws and the claws are almost touching the third man who hasn’t seen Aellô and is almost ready to jump at Anat and he has spittle dripping from his mouth. And it is silence all through this and when Anat can hear again there is bedlam and crashing noises and screams like those of an animal in a trap. Anat closes her eyes and there is a final shrill scream.’

Aellô stands in the pump room washing the blood from the plain woolen dress that is her actual garb. It is a simple design with a single pocket and a knit belt that wraps several times around the waist of the wearer. The material is a fine blend of cashmere wools so carefully woven that one might mistake it for being created by a machine, but it has an aspect that decries that notion. It is of a deep wet slate blue-grey that designers in Paris, Los Angeles, and Milan would kill to have the formula to. She carefully blocks the dress on the cement floor and watches as the moisture in it is pulled into the manmade rock it rests upon. She thinks fondly of the blood thirsty Romans who spent so much time rediscovering the method of combining sands and ground limes and stone to create their massive structures. All gone now are the Romans, left in their place, weak shadows with none of their fierce fearless desire for death. Across the dark pump room she feels Anat beginning to stir to the night outside. Aellô tilts her head in a manner that has become hers from her long love of Anat. She unfolds Anat’s similar gown and cleans and blocks it beside hers, picturing Anat in it with her long legs making the gown move so deliciously when she walked.

‘Anat had been senseless that night, her emotions already torn and frayed before the horror of the tavern; and then to see for herself, and acknowledge, that her only protector was a true monster; a monster who loved her beyond any possibility of redemption.’ Aellô sighs and stretches herself in the gloom. ‘She knew of the violence, she had seen and heard the slaughter of her family, her village, her life at the hands of my thirst, my desire. Senseless, she had sat watching me feed, watching me take the four of them and turn them into nothing.’ Aellô shakes her head to take up her concentration and use it upon this night and what will need to be done.

Anat begins the finish to the recurring dream that she and Aellô share now. She had forced Aellô to let her into it, to open it to her and let her ride its waves of longing, sorrow, fury, and final joy. ‘I am looking back at the burning tavern under the quickly lightening sky, as Aellô carries me wrapped in her too long arms. We are both splashed and smelling of the blood of the four dead attackers. I look up and see my beautiful monster, under the blood, so strong and fearless.’

‘We are in her cave beneath the huge locust tree above, she has washed us both, and taken the clothes and set them aside for washing when she wakes, we are naked, wrapped together in the blanket that smells so strongly of her spice. Her skin is smooth, washed clean, cool to touch. I lean my head on her shoulder and she brings her arm more closely around me. “When Ishtar came,” I began. Aellô turns slightly, her breast slides across my upper arm its nipple full and erect, “She came in fury, as strong as my own, stronger. She was,” Aellô pauses, “everywhere. She said nothing, but suddenly, the light left in the sky, burned my skin. And I knew, I would never feel its warmth again. And I knew, I could never lay claim to what I had been for my twenty-seven years again. And I knew the hunger that I have now. And I knew, that all that I killed, and drank, would be my children, and that there could be no children; and I ran, burning, from her, and I knew as I ran, that my passed beauty, would only remain, as a lure, that I would never be real. And that was the worse sorrow I knew, that all was lost, you, love, and the possibility for sharing; permanence. That all was washed away now, in blood.”’

Anat floats upward in her sleep and shudders in the darkness of the pump room tunnel. ‘”And then what about me Aellô? What about me?” Aellô pulls me close in the gloom of my first night in her arms and murmurs “I cannot leave your side again. Even Ishtar cannot pry me away again.”’

They stand beside the glowing waters of the fine pool of clear water and its marvelous water features. Hand in hand they watch as drops of water flash and flare and glisten and fall back to join all the other drops of water in the pool. The sound of the flowing fluid, the rich moisture in the air, the lovely song of its splashing fall, is soothing to them. They are together for as long as their time lasts. In their light woolen dresses they step barefoot off of the manmade stone, that is all that is permanent from an entire people now departed from this world, and move slowly arm and arm toward the lights of the surrounding city. Below the edge of the cliff that the now abandoned wealthy soccer star’s mostly useless villa rests upon, the harbor is lit by beautiful twinkling bright lights; so much exposed, but even more, hidden by them.

© Amanda 2011


Play List

The Wander

3. Not Life

Awake

Opening credits to Anat watched
Sunshine Underground .............. The Chemical Brothers

Anat watched to Aellô stands
Confusion (pump panel remix) ...... New Order

Aellô stands to ‘We are in her cave
Freak ............................. The Razor Skyline

‘We are in her cave to closing credits
Ce Dest ........................... The House of Love

© Amanda 2011


Note that the posted versions The Wander may be done in multiple parts due to their size. Those wishing to receive complete docx versions of each section and chapter should send a simple one line mail message to blondeonhorse at gmail. No compensation is required for requests to be met. However, ALL copyrights are reserved by the author, other than those needed to allow VS Media to present the writings here.
Quote
Created by: ophelias_rue

7/30/11 @ 10:59am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

Loyalty and Love Between Women Is Named Ruth

And she did pledge and dedicate
her love to she, who shared her light;
And they were paired, as though by fate
To share their lives this dawn til night.

© Amanda 2011



Fried Green Tomatoes At The Whistlestop Cafe
setting Ninny's Kitchen
actors Ninny, Idgie
Dialogue Only no direction or set instructions available


[ Ninny ]
GRADY FINALLY GOT DIZZY
AND GIVE UP.

TRY AS THEY MIGHT, NONE OF THEM
FELLAS COULD TAME IDGIE.

[ Ninny - Over voice]
NOW,
A LITTLE WHILE LATER,

A LETTER
COME FROM RUTH.

[Ninny]
OH,
IT'S AN OBITUARY.
(pause)
OH NO, HONEY,
RUTH'S MOTHER DIED.
(pause)
OH.
(pause)
AND THIS
IS FROM THE BIBLE.
IT'S FROM
THE BOOK OF RUTH.
(pause)
"AND RUTH SAID,
WHITHER THOU GOEST, I WILL GO;
(pause)
"WHERE THOU LODGEST,
I WILL LODGE;
THY PEOPLE
SHALL BE MY PEOPLE."

Screen Writer : Francis Farmer

"During the time of the Judges when there was a famine, an Israelite family from Bethlehem—Elimelech, his wife Naomi, and their sons Mahlon and Chilion—emigrate to the nearby country of Moab. Elimelech dies, and the sons marry two Moabite women: Mahlon marries Ruth and Chilion marries Orpah.

The two sons of Naomi then die themselves. Naomi decides to return to Bethlehem. She tells her daughters-in-law to return to their own mothers, and remarry. Orpah reluctantly leaves; however, Ruth says, "Entreat me not to leave you, or to turn back from following you; For wherever you go, I will go; And wherever you lodge, I will lodge; Your people shall be my people, and your God, my God. Where you die, I will die, and there will I be buried. The LORD do so to me, and more also, if anything but death parts you and me." (Ruth 1:16–17 NKJV)"

"The mood of the story is fashioned from the start through names of the participants: Naomi, which means "my gracious one" or "my delight," later asks to be called Mara, "the bitter one"..."Ruth, meaning "friend", pledges loyalty to Naomi"

Quotes [http://en.wikipedia.org/wiki/Book_of_Ruth]
Quote
Created by: ophelias_rue

8/2/11 @ 12:08pm (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

……………….………………………… 3. Not Life …………………………………………

Girl Made

The Capital Regional District (CRD) of Victoria, British Columbia, Canada is characterized by a mild climate, rich in diverse biotas that are in some cases, endemic solely to the region. This temperate climate also makes this area a desirable place for people to live and also, the introduction of alien invasive species that threaten indigenous biological diversity in this area.

While local governments recognize the associated costs and risks of doing nothing, they do not have the capacity, knowledge or political will to act on this problem in isolation from community resources, not the least of which, is human capital. The extent of the problem of alien invasive plant species cannot be addressed by the few formal small ecological restoration projects currently being conducted within the CRD. In response, volunteer groups have approached local governments or have initiated invasive species removal from public lands independently. [Urban Biodiversity: Building Community Capacity for Ecological Restoration; Nathalie Dechaine, Chris Strashok, CRC research team member]


The two women wander through the crowded upscale bar. Ignoring the stares of the male patrons they are looking closely only at the females present. They seem to display no preference in their interests, old young, blond, redhead, all are subjected to scrutiny. Those casually dressed women, wearing denim, slacks, hoodies, tank tops, or other less than striking evening wear, are given only cursory looks. The three gay females in the room feel slighted when passed by without even a glance. “Lipstick Lesbian” Sarah Needleman hisses at Joan Rustenburg, who nods in agreement. Elaine Parker, sitting with them, who has recently broken up with a university professor that she had had a ten year relationship with, is slightly less judgmental in her own evaluation, and far closer to the truth. ‘They aren’t looking at women; they are window shopping for clothing.’ She dismisses the thought and wonders if wearing jeans throughout her long love affair had indicated a lack of commitment to the now not-lover. She picks her cellphone from her purse and star-dials her ex.

Several of the young women with male escort are examined closely. One of them becomes visibly upset at the calm gaze of the taller of the two women. Her consort turns and looks hostilely at the women, and immediately looks away seeing the look that is returned to him. An older woman, dressed in far too young a gown for her age, sipping a martini in a booth with a distinguished looking grey haired gentleman arches her eyebrow and sets her glass down precisely in the center of her drink napkin. The tall young brunette speaks to her, “Hello, my name is Aellô, and this is my friend Anat. We’ve been admiring your gown. It’s so lovely; would you mind please, telling us where you obtained it?” Anat’s hand curls around Aellô’s.

Her vanity in full flame, Doris Jaworsky, smiles blithely and says softly “Why, I purchased it in Victoria just a week ago, of course it had to be altered slightly, I’m no longer as full as I once was, but the designer is a close friend, Nikki that is, of Nikki Babie fashions. Here I believe I have her card.” “That is so kind of you” Aellô murmurs quietly. Anat, with less patience than her lover, is looking over a young couple seated nearby. As Aellô takes the offered card from Doris Anat leans down and smells the young blonde’s shoulder. It is only later, when they return to their town home that Eldred Warren Jaworsky, while removing his necktie before the bathroom mirror, glances at the refection of Doris removing her girdle, and says “Darling, wasn’t it odd that those two lovely young women were wearing no shoes?”

The road side truck stop is busy and well lit, with rigs bearing licensing, permits, and border crossing inventory packages prominently displayed. Under the harsh blue white light of the new generation LED street lots the Cherry Red paint on Harry Tunsdale’s 1985 GMC General practically sizzles as it glows horror show neon red. Attached is a dented silver sheet metal long haul trailer bearing the shipping logo of EZ-Freight Inc. painted in fading Florida Orange. The border crossing bag with the RCMP stamp on it is firmly affixed to the rear doors of the trailer, in it are all of the required permitting and transfer papers for the thirteen tons of mixed electronics, weaponry, and ordinance being transferred from the Arizona offices of Rider Security Services to their British Columbia Operations Group in Victoria. Under the blaze of the LED lights, the cab of the Cherry Red General rocks erratically, booted feet can be seen kicking at the windscreen; then jerked rapidly sideways with a loud noise, upward and the legs bend oddly with another loud boom of the truck’s sheet metal being bent; and then the legs are jerked backwards. The truck is silent and the sounds of the traffic at the truck stop, the hissing of the airbrakes and swish of the tires on the asphalt drown out any further noise from the truck. The sound of the male voice on the announcement system at the nearby border crossing can be heard under the traffic noises.

The tractor had been Harry’s pride and joy for over 20 years. He had bought it off of his brother-in-law, Jerry Brown, when Jerry’s life ran afoul of the law for an assault on an undercover female police detective outside of Baton Rouge Louisiana. Jerry had been adamant that he had in no way offered his penis as “a gum massager to the officer while he was under the influence.” Testimony from the other officers on the prostitution ‘roundup’ had, disappointingly, proved otherwise. Harry had paid Jerry a small percentage of what the vehicle was actually worth, and had bragged to his wife, Jerry’s younger sister Eloise, that Jerry’s penis had taken Jerry to the cleaners. Eloise, loving her older brother, had spiked Harry’s mouth wash with her pee, which she collected the next morning when using a pharmacy supplied commercial pregnancy test. Two blue lines had been displayed.

The blood on the inside surface of the driver’s door and window, on the windshield and the wash of it on most of the trucks seats, is rendered black by the LED lighting; investigating officers will conclude that that optical effect explains the failure of staff of the roadside stop, and other drivers, from noticing it; thinking that the driver, Harry, had simply put a screen up to snatch some sleep while he waited for his turn through customs on his run to Victoria. Driver Security personnel will become involved with the investigation of Harry’s immolation in the driver’s compartment after it occurs in the bright morning light. It is this event that will draw the attention of both the operators of the roadside stop, and the state police. The Federal Bureau of Investigation and Homeland Security personnel will also conduct independent inquiries into Harry’s murder.

Niki Babie’s steel and glass cube Boutique at the intersection of Finylason and Burnside East is lit up in the early night. Bright spots glow outside the structure lending a modernistic shadow light effect to the structure. It’s large central show room, three stories high, is decorated in the currently fashionable “industrial warehouse” style with exposed steel stairways rising to an open upper floor and office space, and huge ventilation tubes, and piping systems exposed where ever there is ceiling surface. Mannequins posed in haughty positions are scattered throughout the clusters of small clothing racks, and wear selections of Niki’s designs, and of several of the less in demand Canadian and English designers. Display tables of the standard higher priced footwear designers, all notably European, are arranged with shoes on multilevel display platforms on small artful silver stands. It is eight in the evening Pacific Daylight Time, and the store is practically empty. Niki and one coiffed young woman wearing Nikki’s own bandeau top in black, and a pair of Miss Me Angel jeans are the only humans in the building.

Aellô is examining a selection of dresses, tops, skirts and some of Nikki’s current offerings in lingerie. Aellô is holding a bra with layers of red feathers woven into its stitchery up and admiring it, mentioning to Nikki how she had always loved the manner in which Greek women, during certain festivals, would weave feathers into their hair, both on their heads and between their legs. Aellô points at several items and Nikki adds them to the running list she is keeping.

Anat and Nikki’s assistant, Lorraine Marie Bellard, are examining shoes and talking excitedly together. “Oh, what IS that perfume you are wearing? It smells delicious!” Lorraine is saying. Anat leans closer to the young girl to allow her to smell the spicy aroma, of cinnamon, musk, dry desert, horses, and a woman’s love, that her skin emits. “Oh, I call it ‘Aellô’” Anat replies. “You had it made especially? Were you in France? Oh, I SO want to visit France!” Lorraine fills the air with her excitement, while thinking ‘What is it about this girl? I NEVER was attracted like THIS to a woman before.’ She shifts her legs subtly to move her thighs more tightly together. Anat places her hand on Lorraine’s as if by accident while reaching for a heel. The girl’s pulse races; Anat licks her own lips.

“Would you like to schedule a fitting Aellô ? Our tailor can be made available at any time tomorrow, or at your convenience, I’m sure that she would even be able to do so at your home; or at your hotel? Where ever you’d prefer.” Aellô leans in close to Nikki’s face and her eyes change shape and deepen in color, “Why don’t we all go to your home Nikki, we could have a drink, something to eat? Perhaps you’d like to go out with us for the evening?” Nikki looks distracted for a moment and breathes in deeply, then smiles and returns Aellô’s direct look, “Why yes, that’s a wonderful idea, I think that’s just what would be the end to a wonderful day.” Nikki’s pupils expand and she moves her head to stay in Aellô’s scent.

The long drive out from downtown Victoria, into the Uplands area was smooth and quiet and fast. Nikki’s car, an older Mercedes, rides like a storm cloud through the night; black with lightning thrown out from its headlights into the forests. Occasionally the red glimmer of retinas can be seen glowing wide eyed from the night at the passing steel. Anat and Lorraine are necking in the voluptuous cushioned rear seats, Lorraine with her jeans unfastened and Anat’s hand in them. Lorraine’s hair is beginning to become unpinned and her breathing fast and shallow. Anat has her mouth on Lorraine’s breast and Lorraine’s bandeau is wide and free and open to the love that she is receiving. Anat growls softly and runs her tongue around Lorraine’s nipple. Sitting close beside Nikki Aellô toys with the earring dangling from Nikki’s right earlobe, “This is a lovely piece Nikki. Who is the designer?” she runs her finger along the edge of Nikki’s cochlea and watches as goose flesh runs down Nikki’s neck. A warm rush of blood blushes on Nikki’s neck, but is hidden by the makeup on her cheeks. Aellô leans in close and kisses Nikki’s temple as Nikki stutters “A-Aya Azrielant; she designed them.” The car moves slightly into the left lane as Aellô’s left hand slides around behind Nikki’s neck and her breast presses against Nikki’s arm. The leaves along the forested road spin and whirl in the air thrown off by the passing Mercedes.

Nikki arches her head back off the edge of her bed; the four post iron canopy bed is draped with white sheers, the room is decorated with small tables painted in white with light washes of tiny floral embellishments gracing leg and drawer fronts. The indirect soft lighting softens all edges and with the white theme of the room gives a sense of fog and fresh snow. Vases of white and purple lilies stand on several tables and the air is thick with the sweet aroma of the lilies, and of the two women making love, the complexity of the scents mixing to intoxicate. The windows are wide and the temperature cool in the room; the sheers on the bedframe float lightly in the passing breeze. Nikki’s hair falls down the side of the bed and her mouth opens in nonverbal praise of Aellô. She expels a breath and then a moan, an affirmative guttural as Aellô‘s hands hold fast to Nikki’s breasts, and her mouth kisses along the edge of the taunt tendon running from the top inner edge of Nikki’s thigh along the inguinal ligament to the fold at the rear of her knee. Nikki’s fingers reach and grasp Aellô‘s hair as her pussy is enveloped by Aellô’s mouth. She is freshly shaven so the textures of mouth and pussy merge into soft warm wet flesh. Aellô loves the taste of Nikki, so salt and sweet mixed, and under it the scent of her blood, so close to the surface. The temptation is great but she has no wish to end this woman’s life. Her practiced control of her hunger prevents her from having another savage moment to add to hundreds of thousands of others. And Harry is still fresh in her memory, and her stomach.

Anat and Lorraine, started in Nikki’s kitchen where Anat watched Lorraine consume a huge salad, two large servings of plain Dannon yogurt with chopped oranges and pineapple added, a task Anat took great pleasure in performing, and several glasses of bubbling Cava with lime twists. They then worked their way into Nikki’s library, a piece of clothing at a time. Both are now nude and sweating and are on the large Fereghan Sarouk Persian carpet, one of Nikki’s most prized possessions. Anat has recognized the weave and the value of the carpet, running her hands across its surface, in memory of times long ago, before pulling Lorraine down on it and singing softly to her an old Slavic song from her childhood. Her hands explore Lorraine slowly and at some depth. Lorraine murmurs and kisses Anat’s mouth and knows that the blue in the carpet beneath them is only a faded memory of the eyes of this woman in her arms.

A floor above them Aellô is undressing Nikki; standing behind the wealthy designer, she slowly unbuttons Nikki’s top, slipping each perfect button from its hole on the Eryn Brinie blouse.
Nikki leans back and against Aellô’s body, feeling the thrust of the woman’s small firm breasts and large engorged nipples rubbing against the silk of the blouse. Nikki has not had a model in her arms in years, and had had little hope of holding one for years to come. Her life is now filled with the struggle of establishing herself as a line both locally and internationally. Random encounters at shows and the enjoyment of herself have been her only outlet. The husband, Richard, that she had married almost ten years prior, had died, leaving her a wealthy bored woman with a penchant and background for design. She lets thoughts of her business and lack of companionship escape as Aellô’s hands slip under the waistline of her skirt. ‘This woman could have been a top model, she’s so amazingly beautiful, and of a height and thinness sure to draw massive endorsement contracts.’

Anat holds Lorraine down, sitting on her waist, leans over, gripping her hair in her hand, kisses her hard, bites her lip. "OUCH!!! Mmmmm." Anat's right hand worms its way between them, and caresses. Anat likes that this girl has shaved her pussy. ‘So very many of them do that now’ she thinks. She wonders about completely losing the small tuft of hair over her own.

Aellô rolls over Nikki and slides down her, kissing, mouthing, licking, and small bites of delight. "Oh my God" Nikki moans. Aellô slides over the edge of the bed, kneeling, and pulls Nikki closer to her using her legs; "Oh yesss" Nikki sighs. Aellô's mouth brings her to her edge, with no blood yet shed. Nikki raises her knees and allows Aellô to open her widely.

Anat lifts Lorraine’s hips and leans in with her mouth. Her tongue touches the clitoral hood and slowly slides it up and over, and suddenly Lorraine’s pussy is bleeding. Anat’s eyes go wide and bright and she cannot resist the taste of Lorraine’s menstrual flow in her mouth and on her face. Anat roars loudly and bites into Lorraine’s thigh savagely; the femoral artery opened, the blood is unending and Anat’s mouth is locked tight to the pulsing flow.

Nikki is cumming, her orgasm loud and long and very wet. Aellô, with Nikki’s thighs around her head, squeezing her tight, lifts Nikki higher and runs her hands under Nikki and along her hips. She hears Anat’s scream blending with Nikki’s and knows that this all will not end easily as she had hoped. ‘I just hope Lorraine isn’t all over the fucking room.’ Nikki is exhausted, and mumbles only a brief question as Aellô moves quickly to settle her and kiss her and blur to the hallway outside the French doors of the bedroom. “Where are you off to?”

Aellô stands in the doorway to the library, one of the dark stained mahogany pocket doors is open and she slowly slides the other into its hide-away. The six lamp Art Deco ceiling Torchiere is lit bright and Anat and Lorraine are beneath it. Lorraine looks beautiful, her dyed blonde hair cast loose under and around her head, her arms slightly raised as if in a gesture of surrender or a heartfelt shrug, her legs wide, her sex open and on display, a small sliding drop of blood running down from the inner side of her left thigh, her menstruation evident. Aellô smells the blood, and her eyes narrow and the shape of her pupils changes. Anat squats contrite beside Lorraine with her hand resting on Lorraine’s knee. Still looking at Lorraine Anat whispers, “It was such a surprise, I had no time. I liked her so much.” “I know. Well at least there’s not a lot of mess needing to be cleaned” Aellô replies. She walks over beside Anat and puts her hand on Anat’s shoulder. Squeezing lightly she directs Anat. “We don’t have a great deal of time; I’d hoped we would be able to rest here today and move on tonight; that will be impossible now. Take her to the car and we’ll prepare her for the sun somewhere else. I do not want to put Nikki in too awkward a position.” “Yes. What about the clothes though?” “Pick something you like, that won’t be to awkward to take with us. Wear some of the jeans and a nice top alright? I think Nikki has a pair of earrings that you will love.”

Walking back up the stairwell Aellô sees Nikki’s heel quickly reentering the large white bedroom. Anat’s mind is drawn elsewhere while she walks toward the still open doors. ‘”Your bite makes your children! Each child will make hundreds, if not thousands; very quickly the world will belong to only your family. Do what you claim to love, bare no children! See how that comforts you over the millennia!” Ishtar’s voice was a shout in her head like the sound of one thousand battle trumpets. She ran, afire, away from Ishtar, the slaughter behind her, she found shadows to hide in, kept moving to keep the flames of the sun off of her, her eyes half blinded by the brightness of the day; and she found a creek bed, dug deeply into the mud of the overhanging bank hidden from the sun. She lay there until the sun had faded. Over the following days and weeks and months, she learned all of the rules. She could not remain in one place for long or people would hunt her. At night she was almost impossible to kill; but with dawn came exhaustion and a need to rest. If she fed, she had to destroy her victims. Over time she learned what she must do; separate the head from the body, place the body where the sun would find it. She had spent the first few weeks chasing down her ‘made’ children, and their ‘made’ children, until she learned how quickly all had to be finished.’

‘And then, when she despaired of ever being able to find solace; she had found Anat again. “Oh god, when I had found her in that village, I thought I would explode.” And Anat had seemed to cleave to her immediately; longing to be safe, and loved, and with her. There could be no stopping it.’ “I could not kill her, never; I had to have her with me.” Aellô’s voice carries into the bedroom where she finds Nikki, composed, sitting on a white fabric Italian designed chair that must have cost a fortune; simple and elegant like the woman seated in it.

Nikki looks over at Aellô and watches as she comes closer. “I think I know what you are Aellô.” “Yes, there are and always have been stories” Aellô replies. “Make me like you.” “No. That cannot be allowed.” “But, Anat?” “She is different.” “Why not me?” “Because you must remain alive, live, die; come to your own end.” Nikki drops her chin to her chest. “Then you are just going to kill me.” “I hope not Nikki; I do like you very much.” Aellô sits with Nikki for a small time, talking soothingly, quietly. When she leaves Nikki sits in tears on the chair, opens a drawer on the small white table, decorated with painted pastel blue and violet flowers, takes out an ashtray, lighter, and small cigarette case; and breathes a sigh of relief.

Anat sits quietly in the passenger seat of the Mercedes; she loves the feel of actual clothing on her skin. They are so filled with texture, and tight on the body, not like the glamour that she and Aellô cast or Aellô’s wonderful wovens. She drifts as the car speeds through the night, looking for the right location to say goodbye to Lorraine, it would have been nice to have lain with her and then kissed her goodbye and sent her off to her day’s job.

Aellô is lost in her memories, so many of them and more each day. At some point she remembered cowering in a cave for years, afraid that her brain would explode or just run out of space and she’d go insane and be hunted and killed, or wander to late and be trapped by the sun. And there was the time in which she had longed for it to end; but she knew that if Ishtar still existed, that it would give her a great laugh that Aellô had finally lost that battle.

‘”I think it’s time Anat, I think you are ready now.” Anat and she lay naked on the floor of the cave in a bed made of leaves under the scarlet blanket. “I love you so much Aellô, but I am afraid. How will it be? What will happen?” “I will take blood from you my darling, and then I will return it. I will stay with you while it occurs. There is some pain, but it only lasts for moments. Then, there will be the Hunger. You will feed on me then, to grow strong faster than any other might. Then, we will sleep for the day. You know the rules.” And Anat had sighed and leaned into the arms of her beloved, her sister, her mother, her only one.’ And in the 9th century of the Lord Jesus Christ, two lovers were rejoined to wander, and love; forever. “I love the jeans, don’t you Anat? These little metal bangles on them are so much fun.” Aellô reaches over and toys with the gold and diamond Aya Azrielant earrings Anat wears.

"The future of NIKKI BABIE INC. holds lots of excitement.
Following a year of tremendous growth, both personally and professionally, I have decided to narrow my focus and concentrate on my gift, my designs. This is an exciting time of change, allowing the creative aspects of my company to flourish.

I’m excited about creating magnificent styles that reflect the natural, feminine curves of the female body and truly fit all women beautifully and sensuously, no matter their size or shape.
BETWEEN JULY 31 – AUG 15, MY STORE NIKKI BABIE BOUTIQUE WILL PERMANENTLY CLOSE.
2012 Nikki Babie Label will be available at select stores in North America. View our Website & Blog for the latest updates & events as they happen.

I appreciate your great support in the past and look forward to a continuing relationship going forward.

Ever so excited about the future,
Nikki Babie

Your imagination is your preview of life’s coming attractions”

Nikki finishes entering the message on her website, closes her MacBook Pro. She sits for a moment at the packing crate she’s balance the Mac on; looks around at the empty cube of steel and glass, sighs. “Della darling, would you make sure to lock up after you finish the packing, make sure that all the labeling is correct for EZ-Freight will you? I want to get home before it is night.”


© Amanda 2011

Play List

The Wander

3. Not Life

Girl Made


Opening credits to Elaine Parker
Ariadne .................................Dead Can Dance

Elaine Parker to Nikki Babie’s steel
Towards the Within ..................... Dead Can Dance

The long drive out to Anat and Lorraine, started
Complicated ............................ Collide

Anat and Lorraine, started to Walking back up the stairwell
Somewhere .............................. Collide

Walking back up the stairwell to closing credits
When It Falls .......................... Zero 7

© Amanda 2011


Note that the posted versions The Wander may be done in multiple parts due to their size. Those wishing to receive complete docx versions of each section and chapter should send a simple one line mail message to blondeonhorse at gmail. No compensation is required for requests to be met. However, ALL copyrights are reserved by the author, other than those needed to allow VS Media to present the writings here.
Quote
Created by: ophelias_rue

8/5/11 @ 2:42am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

On Waiting for Anything

02:23:05
*rubs hard*
*turns over*
[maybe]


02:23:15
*rubs hard*
*turns over*
[ask again later]

*sigh*

02:24:00
*rubs hard*
*turns over*
[definately not]


"yeah, that's what SHE said."

02:24:33
*splintering wet crash*


© Amanda 2011

Quote
Created by: ophelias_rue

8/5/11 @ 3:08am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

On Writing Poetry


Me: sending you something
Her: what?
Me: something hot off my presses
Her: oh okay

(few.moments)

her: sometime i will send you some of my poetry
her: i used to write some
her: stopped when i was 20 or 22

me: yeah, intelligent people stop by then


© Amanda 2011

Quote
Created by: rheza111

8/6/11 @ 12:05am (EDT) | UTC - 4:00
Location: just to the left of center
Posts: 2,431

I know that I shall meet my fate
Somewhere among the clouds above:
Those that I fight I do not hate,
Those that I guard I do not love;
My country is Kiltartan Cross
My countrymen Kiltartan's poor
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to the tumult in the clouds
I balanced all, brought all to mind
The years to come seemed waste of breath
A waste of breath the years behind
In balance with this life, this death

An Irish Airman Forsees His Death-William Butler Yeats
Quote
Created by: rheza111

8/6/11 @ 12:13am (EDT) | UTC - 4:00
Location: just to the left of center
Posts: 2,431

The Death of the Ball Turret Gunner Randall Jarrell

From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.
Quote
Created by: rheza111

8/6/11 @ 12:20am (EDT) | UTC - 4:00
Location: just to the left of center
Posts: 2,431

William Shakespeare Sonnet 130

My mistress' eyes are nothing like the sun,
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet will I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven I think my love as rare
As any she belied with false compare.
Quote
Created by: ophelias_rue

8/6/11 @ 2:34am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

ouuuuuuu so perfect for this moment *blows a kiss on the way back to my shipping crate*
Quote
Created by: ophelias_rue

8/7/11 @ 5:36am (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

Hurts


fuck

*sigh*
*warm washcloth on your face to sooth the swollen eyes*
*quiet soft tune from my mind to sooth your sleep*
*swishing noises from roadways to lull you*
*no known cure for my feelings*
*sunrise in 15 minutes here*
*stares at scarlet blanket*
*head down on desk*
*leaning into*
*screen*
*you*

© Amanda 2011
Quote
Adryenne
Created by: Adryenne

8/7/11 @ 8:25am (EDT) | UTC - 4:00

And a man said, "Speak to us of Self-Knowledge."

And he answered, saying:

Your hearts know in silence the secrets of the days and the nights.

But your ears thirst for the sound of your heart's knowledge.

You would know in words that which you have always know in thought.

You would touch with your fingers the naked body of your dreams.

And it is well you should.

The hidden well-spring of your soul must needs rise and run murmuring to the sea;

And the treasure of your infinite depths would be revealed to your eyes.

But let there be no scales to weigh your unknown treasure;

And seek not the depths of your knowledge with staff or sounding line.

For self is a sea boundless and measureless.

Say not, "I have found the truth," but rather, "I have found a truth."

Say not, "I have found the path of the soul." Say rather, "I have met the soul walking upon my path."

For the soul walks upon all paths.

The soul walks not upon a line, neither does it grow like a reed.

The soul unfolds itself, like a lotus of countless petals.

self knowledge by khalil gibran
Quote
Created by: ophelias_rue

8/7/11 @ 10:56pm (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

The Usual Ending

Whether the glass
was one half empty,
or one half full;
it is still just
shards on the floor.

(c) Amanda 2011
Quote
Created by: ophelias_rue

8/10/11 @ 7:49pm (EDT) | UTC - 4:00
Location: floating just beneath the surfaces
Posts: 5,122

You Set the Scene Lyrics:

[Part I]

[Verse 1:]
Where are you walking,
I've seen you walking.
Have you been there before?
Walk down your doorsteps,
You'll take some more steps.
What did you take them for?
There's a private in my boat,
And he wears pins,
Instead of medals on his coat.
There's a chicken in my nest,
And she won't lay,
Until I've given her my best.
At her request she asks for nothing,
You get nothing in return.
If you want, she brings you water,
If you don't, then you will burn.

[Verse 2:]
You go through changes,
It may seem strange. Is
This what you're put here for?
You think you're happy,
And you are happy.
That's what you're happy for.
There's a man who can't decide
If he should fight,
For what his father thinks is right.
There are people wearing frowns,
Who'll screw you up,
But they would rather screw you down.
At my request I ask for nothing,
You get nothing in return.
If you're nice, she'll bring me water,
If you're not, then I will burn.


[Part II}

[Verse 1:]
This is the time and life that I am living,
And I'll face each day with a smile.
For the time that I've been given's
Such a little while.
And the things that I must do,
Consist of more than style.
There are places that I am goin'.

[Verse 2:]
This is the only thing that I am sure of,
And that's all that lives is gonna die.
And there'll always be some people,
Here to wonder why.
And for every happy hello,
There will be good-bye.
There'll be time for you to put yourself on.



[Verse 3:]
Everything I've seen needs rearranging,
And for anyone who thinks it's strange,
Then you should be the first,
To want to make this change.
And for everyone who thinks that,
Life is just a game
Do you like the part you're playing?

[Bridge]
I see your picture,
It's in the same old frame.
We meet again.
You look so lovely,
You with the same old smile,
Stay for a while.
I need you so, oh, woh, woh, woh.
And if you take it easy,
I'm still teethin'.
I wanna love you, but,
Oh, woh, woh, woh, woh, woh, woh. [Echo.]

[Verse 4:]
This is the time and life that I am living,
And I'll face each day with a smile.
For the time that I've been given's
Such a little while.
And the things that I must do,
Consist of more than style.
There'll be time for you to start all over.

[Coda:]
This is the time and this is the time.
And it is time, time, time, time, time,
time, time, time, time... [Echo.]


[Written by: Arthur Lee]
Quote
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